Even after 30 years...
Summer 2003 Teacher/Class List |
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| PSGW 2003 TEACHERS Session 1 | ||
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| Laurel Bliss | The Good Old Gospel Way (1-3) | Music of the Carter Family (1-3) |
| George Chudacoff | Intermediate Flatpicking (3) | Flatpick Accompaniment (3) |
| Barry Crannell | Accompaniment for Singers/Songwriters (3) | Beginning Flatpicking (2) |
| Nova Devonie | Instigator | |
| Bob Franke | Songwriting for the New-to-Bob (1-3) | Songwriting for Bob Veterans (2-4) |
| Kent Hillman | Introduction to Fingerstyle Technique (2) | Fingerstyle Options (3-4) |
| Ed Johnson | Jazz, Swing, and Brazilian Harmony Singing (2-4) | The Secret Life of Chords (2-4) |
| Orville Johnson | Blues Repertoire (2-3) | Flatpicking Lead Guitar (4) |
| Tony Marcus | Swing Rhythm Intro (3) | Intro to Chord Melody (3-4) |
| Valerie Mindel | Singing in Duets, Trios, and Quartets (1-2) | Harmony Singing (2-4) |
| Mick Nicholson | Bass Elements (1-2) | Inner Bass, or Life after I/V (3-4) |
| Jennifer Scott | Swing Vocal Summit (2-4) | Stagecraft (2-4) |
| Julian Smedley | Camp Instrumentalist | |
| Laura Smith | Beginning Guitar (1) | Banjo Accompaniment for Singing (1-2) |
| Pam Vellutini | Afro-Cuban Drumming (1-2) | Afro-Cuban Drumming (2-3) |
| Josh White Jr. | The Blues Songs of Josh White (1-2) | More Blues Songs of Josh White (2-3) |
| Sean Williams | Around the World in Five Days (1-4) | World Fingerpicking Guitar (3) |
| Click here for week 1 class descriptions | ||
| PSGW 2003 TEACHERS Session 2 | ||
|---|---|---|
| Nan Collie | Instigator | |
| Paul Elliot | Camp Instrumentalist | |
| Nina Gerber | Theory Applied to the Guitar (2-4) | Sideperson Strategies (2-4) |
| Sara Grey | Strangers in this Country (1-3) | How Do I Sing That? (2-4) |
| Piper Heisig | Unobtrusive Percussion (1-3) | Vocal Performance (2-4) |
| Wayne Henderson | Beginning Finger-Flatpicking (3) | Advanced Finger-Flatpicking (4) |
| Carol Elizabeth Jones | Getting That Country Harmony Sound (2-4) | Polishing Your Original Songs (2-4) |
| Kitty King | Writing Song Lyrics (2-4) | Beginning Bass (1-2) |
| John Knowles | Beginning Guitar (1) | Beginning Fingerstyle Guitar (2) |
| Kristina Olsen | Songwriting (1-3) | Slide Guitar (2-3) |
| Steve Palazzo | Dissecting the Good Doctor (2) | Plays Well with Others (3) |
| David Romtvedt | Part of the World Beat Orchestra (1-4) | World Wide Squeeze (1-2) |
| Eric Schoenberg | Know Your Way Around the Fingerboard (3) | Techniques for Advanced Fingerstyle Guitar (4) |
| Richard Scholtz | Songs in Life (1-4) | Song Accompaniment for Dulcimer (3-4) |
| Marcia Taylor | Singing 101 (1-2) | Singing 202 (2-3) |
| Joe Vinikow | Swing 101: the Rest of Your Guitar (3) | An Introduction to Chord Melody (3-4) |
| Ray Wood | Swing Accompaniment/Comping (3-4) | Swing Lead (4) |
| Click here for week 2 class descriptions | ||
| PSGW 2003 TEACHERS Session 3 | ||
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| Muriel Anderson | Easy Fingerpicking Class (2-3) | Playing Outside the Box (4) |
| Flip Breskin | Musical Foundations for Guitar (1) | Independent Guitar (2) |
| Velzoe Brown | Instigator | |
| Chris Grampp | Intro to Swing (3) | Jazz Boot Camp (3-4) |
| Adam Granger | Stage Skills (2-4) | Advanced Flatpicking (4) |
| Clive Gregson | A Song A Day (1-4) | Party Guitar (1-4) |
| Bill Keith | Bluegrass Banjo Basics (1-2) | Bluegrass Banjo Systems (3-4) |
| Peter Langston | Early Bluegrass Standards (1-3) | Beginning Bluegrass Mandolin (1-2) |
| Carol McComb | Love that Flatpickin' (2) | Maybelle Carter Lead (3-4) |
| Stacy Phillips | Camp Instrumentalist | |
| Ray Piper | Brasilian Guitar (3) | Improvising (3-4) |
| Missy Raines | Beginning Bass (1-2) | Bluegrass Bass (3-4) |
| Dale Rasmussen | Step Out and Sing! (1-2) | Take Your Singing to the Next Level: Harmonize! (2-4) |
| Tom Rawson | Instigator | |
| Linda Waterfall | Beginning Songwriting (1-2) | The Joy of Theory (2-4) |
| Anne Weiss | Beginning the Blues (1-2) | So You Still Have the Blues (2-3) |
| Phil Williams | Bluegrass Band (2-4) | Backup Guitar (3-4) |
| Vivian Williams | Rub Horse Hair Across Sheep Gut (1-2) | Old Time Fiddle Meets Bluegrass (2-4) |
| Click here for week 3 class descriptions | ||
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THE SMALL PRINT |
Advance registration is required (no guests or visitors, please). Registrations will be processed (and receipts sent) as they are received.
Total cost (tuition + room + board) for a session is $700 (in U.S. funds). A deposit of $200 (U.S. funds) reserves a space. The balance is due on arrival at camp.
Refunds of $150 will be given for all cancellations prior to July 4 and of $75 for cancellations between July 4 and two days before your session starts. No refunds will be given for cancellations or "no shows" after that time. Of course, if we have to refuse your registration (e.g. due to lack of space), your entire deposit will be returned.
Scholarships are available for up to half of the cost for anyone who couldn't afford camp without a scholarship. A completed preregistration with a full deposit is required to receive a scholarship application form (check the appropriate box on your registration). Your entire deposit will be returned and your registration voided if we can't offer you a scholarship. Completed scholarship application forms must be received by May 1.
Puget Sound Guitar Workshop is a camp for adults of all ages, but please consult with us by phone prior to registering any adults under age 18.
Our scholarship program is supported by donation. We wish to thank the many individuals whose contributions have helped make scholarships possible. If you would like to become one of the people we thank, simply include some extra funds in your check and mention it on the registration form (and thanks).
| PSGW CAMP REGISTRATION FORM |
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© 2003 Peter Langston & PSGW